Part of this is down to the producers’ approach to what they depict. After a while, you stop noticing that it’s not real-life footage. You have all the respect and scientific rigour that you would find in a traditionally shot documentary such as Planet Earth presented with thoroughly convincing CGI. The results of this union are astonishing. The second series marries two irresistibly compelling forces: MPC, the visual effects house that helped Jon Favreau create his photorealistic remakes of The Lion King and The Jungle Book and BBC Studios Natural History Unit. Our mission, if you like, was to show the audience that these are not mindless monsters.”
They were really social and they would have been really flamboyant because of the social mindset. “Nothing is primitive about dinosaurs,” says Tim Walker, Prehistoric Planet’s series producer, over a video call. A Hatzegopteryx confronting a T rex, as realised in Prehistoric Planet.
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